Canon Michael McCarthy was appointed director of music in 2003. He oversees the Cathedral’s expanding music program, as well as serves as principal choirmaster. A native of the U.K., he is a graduate of Guildhall School of Music and Drama and has worked with professional choirs including the Sixteen, the Gabrieli Consort and the Monteverdi Choir. McCarthy was the founder and director of the London Oratory School Schola. He directed the Schola in recordings for films including Sleepy Hollow, The Lord of the Rings cycle and the Harry Potter series.
Thomas Sheehan is the organist and associate director of music at Washington National Cathedral. A graduate of Westminster Choir College in Princeton, NJ, and the Curtis Institute of Music, Tom is currently a doctoral candidate (ABD) in organ at Boston University. He has performed around the United States and internationally, including performances in Canada, France and Iceland.
Laura Choi Stuart has appeared on the mainstage with Boston Lyric Opera, Opera Boston, Annapolis Opera, Lake George Opera, the In Series and Opera North in roles including Musetta, Adina, Gilda, Pamina and Frasquita. Stuart appears regularly as a soloist and ensemble member with the Washington Bach Consort and the Washington Master Chorale. She received her training at the Santa Fe Opera Apprentice Program for Singers, Opera North and Berkshire Opera, as well as the New England Conservatory and Dartmouth College. As a dedicated teacher, she works with the Cathedral choristers, maintains a private voice studio.
George Fergus serves as the assistant organist at Washington National Cathedral. Fergus earned his Master of Music in organ performance with a Certificate in Church Music Studies from the Yale Institute of Sacred Music, and his Bachelor of Music degree from St. Olaf College. He was awarded the Gerre Hancock Fellowship in Church Music by the Association of Anglican Musicians, which he served at Washington National Cathedral before being appointed to its full-time music staff.
Elissa Edwards is a specialist in 17th- and 18th-century vocal repertoire and pedagogy. A celebrated international soloist and scholar, she is the artistic director of the Élan Ensemble, and serves on the voice faculty of the Cathedral and formerly The Peabody Institute of The Johns Hopkins University. Recent honors include grants and awards from the National Endowment for the Humanities, Maryland State Arts Council, Society for American Music and the Winterthur Museum and Library. She is a graduate of Boston University and the University of York, U.K. with additional studies at the Royal College of Music in London.
Course Details & Lectures
Participants are taught by our renowned, knowledgeable faculty and guest lecturers who are passionate about sharing their expertise and facilitating discussions.
- Daily liturgy performances
- Individual singing lessons
- Individually-tailored solo repertoire recital performance
- Small ensemble coaching
- Performance practice workshops
- Final concert at premier Washington, DC venue
- The Importance of Vocal Health
Sing healthy, sing well
- Authentic Performance
Exploring stylistic singing across the centuries
- To Sing or Not to Sing
Professional aspirations, marketing and managing your career
- Our Common Purpose
Q & A with Canon McCarthy
- Missa Bel Amfitrit – Orlande de Lassus
- Jubilate Deo – Giovanni Gabrieli
- Ego Flos Campi – Clemens Non Papa
- Surrexit Pastor Bonis – Jean L’heritier
- Loquebantur Variis Linguis – Thomas Tallis
- Ne Irascaris and Civitas Sancti Tui – William Byrd
- Three Shakespeare Songs – Ralph Vaughan Williams
- Invocation – James MacMillan
- Take Him Earth For Cherishing – Herbert Howells
- Sweet Remembrance – Melissa Dunphy